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Forget the stock market, Kenya’s millionaires are entertainers
TV comedian Charles Bukeko (Papa Shirandula) joins Isukuti traditional dancers during the Vihiga cultural festival celebrations at Mbale town in Western Kenya. Photo/FILE
Posted Saturday, April 11 2009 at 17:50
Too proud to let people know of his challenges, Mr Bukeko only told his mother of his predicament, and she would send him food to last him three months. “She kept telling me to go back to shags (rural home) where there was enough food, but I refused,” says Bukeko.
They did get jobs, at least six in a year, but they often had to beg for their money from the agencies. “I would go to agencies, do a voice- over for a radio ad perfectly but getting my money was always a pain. Sometimes there were no jobs, and I would hang around KNT to look for shows which would give me some money for fare home,” he recalls.
His biggest pay day came when he featured in a show by Ochieng’ Odero, for which he was paid Sh30,000 for just one line, “The film doesn’t film”. “I panicked when I heard how much I was to be paid because the initial amount was Sh15,000, but the show exceeded expectations, and they decided to double our pay. That was a lot of money. I did not even want visitors in my house!” he said.
His turning point came when he was introduced to legendary theatre director James Falkland, the founder of Phoenix Players. “He advised me to start thinking about production rather than just acting, and he trained me for two years for free, and we even explored sponsorships for our shows.”
Mr Bukeko’s dream was to become a professional football player, something that set him on a collision course with his father who wanted him to be a lawyer or an engineer.
He played for PanPaper before he broke a leg and quit on the account of his father, who was concerned about his joblessness. His father would ask him: “What do you want me to tell my friends my son does when we meet?” But the old man is proud of his first-born son today.
The big money and opportunities began coming in after he volunteered to play a security guard in Bob Nyanja’s 2006 film, Malooned. After that, Wachira Waruru, the Royal Media Services managing director, approached him with an proposal to develop his character in the film into a television series.
“Local productions were still a big No, and I remember Waruru saying that we take a risk and see how it would turn out, and that is how Papa Shirandula was born,” her says. The initial target audience was the lower class viewers, but the show exceeded expectations and was an instant hit with everybody.
“The funniest part is that security guards look at me like their hero,” he said, adding that he sometimes got scripts from them telling him how hard their lives are.
Now that he is rolling in money and fame, the actor plans to start local productions that will help improve the quality of shows and provide employment. He also hopes to continue the “Brrr!” campaign and get involved with other high quality productions.




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