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A poetic licence to tell the Kenyan story

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Left and above, the cast of Cut off my Tongue. Photo/DOROTHY CHLYSTUM-GITHAE

Left and above, the cast of Cut off my Tongue. They performed to full houses in the city and are planning a trip to the UK. Photo/DOROTHY CHLYSTUM-GITHAE 

By JOSEPH NGUNJIRI
Posted  Saturday, May 9  2009 at  12:27

If you were to tell the story of Kenya where would you begin? Sitawa Namwalie, a poet, seems to know: ethnicity, identity, land issues, leadership, love...

A production based on her collection of poetry titled Cut off my Tongue has been staged at different venues in Nairobi and the audiences cannot have enough of it.

Cut off my Tongue is unique in that it is an interactive dramatisation of poetry using humour, music and dance. The production addresses issues close to the hearts of Kenyans, ranging from neo-colonialism to romance.
In effect, Cut off my Tongue, a Storymoja production, talks to Kenya, hence its popularity with the audiences. This is in spite of the fact that they have been paying Sh1,000 to watch the shows.

Comedies and farces

Cut off my Tongue has been viewed by many as a much-needed breath of fresh air to theatre in Nairobi, where recycled Western bedroom comedies and farces is the order of the day.

Sitawa’s poetry is a revelation. Hers is not the textbook, often mind-numbing verse that has made many Kenyans give poetry a wide berth, dismissing it as too difficult or abstract to comprehend.

Her lines are simple and straightforward, devoid of hidden meaning. For one, Sitawa’s poetry seeks to soothe and heal the injuries inflicted on the country by the post-election violence that rocked Kenya after the disputed 2007 elections.

Since ethnicity was at the heart of the violence, Sitawa aims to use words to make Kenyans realise that they are one people who should not be fighting because they come from different tribes.

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“Like Robinson Crusoe, I want to use words to trip people’s minds,” she said. “I want people to change the way they think and make them open up more.”

Even as the country tries to heal from the wounds that were inflicted in 2008, talk of war is still rife. Politicians are running around, warning of dire consequences in 2012, if certain conditions are not met.

“2012 is innocent,” Sitawa said philosophically. “It is we who will carry our hatred, fears and baggage to that year.” What she is saying is that 2012 can only be peaceful if Kenyans choose to do away with the prejudices that breed hatred and violence.

The cast of Cut off my Tongue is multi-ethnic, which in itself a way of building harmony across communities.

“Each member of the cast says something, in their mother tongue, which leaves members of that community reflecting on how they relate with other communities,” explained Muthoni Garland, the managing director of Storymoja.

On the issue of land, Sitawa’s poetry looks at how possessive Kenyans are with this resource, to the extent of killing one another.

In the verse A Gifted Almost-fifty, Sitawa, tongue-in-cheek, tries to explain how she came to write poetry when she was approaching fifty.

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