Understanding Africa’s media

Title: Media and Identity in Africa
Editors: Kimani Njogu and John Middleton
Publisher: Edinburgh University Press for International Africa Institute
Year of Publication: 2009
Reviewed By TOM ODHIAMBO

The two subjects of media and identity that make up the discourse of the book under review probably are the most discussed topics in the world today.

Consider the way we Kenyans have flirted with national destruction all in the name of identity thinly strapped around our ethnicity, party, socio-economic class or religion.

Again, consider how the expanded “media space” has been integral in “disintegrating” rather than integrating us. Hate-mongering spews from the motor-mouths running programmes on FM stations, and SMSes have the capacity to spawn fear among wananchi.

Quite refreshing

It is, therefore, quite refreshing and enlightening to read a book that seeks to retable the media and identity agendas, especially on and in Africa.

Media and Identity in Africa comes out of a seminar that was held in Nairobi in August 2004 entitled ‘Media and the Construction of Identity in Africa’.

The two editors, Prof Kimani Njogu and Prof John Middleton, are recognised Africanists. Prof Njogu is a leading scholar on the subjects of culture and identity in Kenya today. Prof Middleton, a professor emeritus of Anthropology and Religious Studies at Yale University at the time of his death, edited the journal Africa between 1973 and 1979.

The collected essays are divided into three parts: 1) The media, community and identity; 2) The media and identity: The global media; 3) The media and identity: The local media.

Each part is made up of essays by leading scholars in African history, anthropology, culture, religion, literature and the media.

In most cases the essays draw their conclusions from empirical research on a number of topics such as popular culture, morality, Pentecostalism, consumerism, language, politics, photography, literary prizes, names and cloth, oathing, matatu culture, cartoons and music. It has an engaging epilogue by Valentin Mudimbe, the African philosopher.

But what really makes this book a significant contribution to scholarship on African media and identity is methodological and theoretical departures that have enabled the different contributors to read media from a wide range of material and symbolic texts.

Strange things possible

Also, the interdisciplinary mix of the contributors, each addressing the subject of media in and on Africa and how it frames and is framed in turn by different and differing identities, has contributed to a text that would easily be readable across the various disciplines in the academy as well as the non-academic reader.

For instance Heike Behrend’s essay, “To Make Strange Things Possible: the Photomontages of the Bakor Photo Studio in Lamu, Kenya”, is a journey through the history of Lamu and one of its oldest photo studios, The Bakor Studio.